Fortescue Seals US$5 Billion Debt Facility, Mulls Mine Restart

Published October 14, 2012

Dow Jones Newswires

Fortescue Metals Group Ltd. (FMG.AU) Monday said the completion of a US$5 billion debt facility will allow it to consider restarting a new mine development in Western Australia state's Pilbara region should iron ore prices continue to recover.

The world's fourth-largest iron ore miner by output upgraded the facility to US$5 billion from US$4.5 billion to pay off existing loans and provide a liquidity buffer.

"Subject to iron ore market conditions, this additional liquidity will enable detailed consideration of the recommencement of the Kings expansion," the company said.

The Perth-based miner in September set a near-term production target of 115 million metric tons a year by deferring development of its Kings deposit. It had previously targeted an expansion to 155 million tons of production capacity by June 2013.

Write to Ross Kelly at ross.kelly@wsj.com

Subscribe to WSJ: http://online.wsj.com?mod=djnwires

Copyright ? 2012 Dow Jones Newswires

Source: http://feeds.foxbusiness.com/~r/foxbusiness/markets/~3/7Y-0YAlObw4/

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Judy Garland's 'Wizard of Oz' dress up for auction

FILE- This 1939 file photo provided by Warner Bros. shows, from left, Bert Lahr as the Cowardly Lion, Ray Bolger as the Scarecrow, Judy Garland as Dorothy and Jack Haley as the Tin Woodman in a scene from "The Wizard of Oz." Judy Garland's original costume from "The Wizard of Oz" will be up for sale at Julien's Auctions in November 2012. (AP Photo/Warner Bros., File)

FILE- This 1939 file photo provided by Warner Bros. shows, from left, Bert Lahr as the Cowardly Lion, Ray Bolger as the Scarecrow, Judy Garland as Dorothy and Jack Haley as the Tin Woodman in a scene from "The Wizard of Oz." Judy Garland's original costume from "The Wizard of Oz" will be up for sale at Julien's Auctions in November 2012. (AP Photo/Warner Bros., File)

This undated publicity photo provided by Julien's Auctions shows the original costume worn by Judy Garland in the film "The Wizard of Oz." The dress will be on view at London's Safford Hotel Oct. 9-14, 2012, before being exhibited on Nov. 5 through 9, in Beverly Hills, Calif. (AP Photo/Julien's Auctions)

FILE - In this 1939 file photo provided by Warner Bros., Judy Garland portrays Dorothy in a scene from "The Wizard of Oz." Garland's original costume from "The Wizard of Oz" will be up for sale at Julien's Auctions in November 2012. (AP Photo/Warner Bros., file)

LOS ANGELES (AP) ? The Dorothy dress is going up for auction.

Celebrity auctioneer Darren Julien says Judy Garland's original costume from "The Wizard of Oz" could sell for half a million dollars when it hits the auction block next month.

The white puff-sleeve blouse and blue gingham pinafore has inspired countless Halloween costumes since the film was released in 1939. Although several identical dresses were made for the production, the dress to be sold is the only version seen in the film and the only complete original dress to survive.

The outfit will be on view at London's Stafford Hotel beginning Tuesday, before being exhibited at Julien's Auctions in Beverly Hills, Calif., Nov. 5-9, prior to the auction Nov. 9-10.

___

Online:

www.juliensauctions.com

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/4e67281c3f754d0696fbfdee0f3f1469/Article_2012-10-08-Judy%20Garland%20Dress/id-bdf6d5ce17f14ed886b97d3a050413ff

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Sr Benefits Specialist-Retirement - HigherEdJobs

Job:	Human Resources
Primary Location:	Georgia-Atlanta
Organization:	Human Resources
Hiring Range:	NS
Schedule:	Full-time

Description:

Job Purpose: Provide plan administration and customer service with regard to the Institute's various retiree benefits plans. Serve subject matter expert in educating active and retired population on retiree benefit options and matters.

Major Responsibilities:

• Serve as primary point of contact and subject matter expert on retiree eligible benefit options and matters.
• Investigate and resolve issues or respond to questions related to retiree benefit plans and rules.
• Develop communications strategy to aid in educating active and retired population on retiree benefit options and matters.
• Update and maintain web content on retiree related benefit information.
• Interact with carriers and vendors regarding plan administration for retiree eligible benefits.
• Manage retiree open enrollment process in accordance with Institute standards and timeframes.
• Perform related analysis and develop metrics and reports.
• Perform other related duties as assigned.

Basic Qualifications:

• Education: Bachelor's degree in Business, Human Resources or related field
• Work Experience: Four to five years job related experience
• Skills: Ability to organize work, determine priorities, handle multiple tasks, and problem solve.

Qualifications:

Preferred Qualifications:

• Preferred Certifications: Certified Employee Benefits Specialist (CEBS) certification

Impact & Influence: This position will interact on a regular basis with: pre- and active retiree faculty and staff. This position typically will advise and counsel: faculty, staff, retirees, and HR representatives. This position will supervise: NA.

Department Description:
Georgia Tech offers a comprehensive benefits package designed to meet the diverse needs of our faculty and staff. Our benefits are competitive and are an important component of the total compensation package. Georgia Tech offers a robust choice of health and welfare plans including medical, dental, vision, flexible spending, disability and life insurance plans.

Georgia Tech is an equal opportunity employer and will not discriminate against any employee or applicant on the basis of age, color, disability, gender, national origin, race, religion, sexual orientation, veteran status, or any classification protected by federal, state, or local law. Consistent with its obligations under federal law, each company that is a federal contractor or subcontractor is committed to taking affirmative action to employ and advance in employment qualified women, minorities, disabled individuals, special disabled veterans, veterans of the Vietnam era, and other eligible veterans.

Source: http://www.higheredjobs.com/details.cfm?JobCode=175677918

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River Spirit geared up to bag fourth straight success | bettor.com

River Spirit geared up to bag fourth straight success

Taking a look on River Spirit?s profile, it seems as if he has achieved more than his age. Four podium finishes in five-race career is an awesome streak that has made him such as strong runner as he can make a big impact in any big racing event.

The Glackin trained brindle dog has proved his class in A3 and A1 formats so far. Now, he is keen to win his maiden open race entitled as Billy Mulvaney Senior Memorial Open 750. This is going to be his second Shelbourne Park trip----the previous experience had been pleasant enough.

In tonight?s high-stakes open race, the two-year-old novice hound will break from the blue box to run over 750 yards with his eyes on the prize cheque worth ?500.

In his every start so far, River Spirit has done justice with the talent inherited from Westmead Hawk and River Melody.

The young and enthusiastic sprinter debuted on August 18, finishing 5^th in his maiden race. He went on to get the runner-up spot in the next contest.

The brilliant sprinter stepped ahead to grab the 3?-length victory in his third A3 race. He impressed all the sport fans by winning a big race by the big margin of 6? lengths on September 8.

The dashing dog finally completed his hat-trick with the title of Find Us On Facebook A1 575. This excellent streak has tuned up his confidence and momentum well.

Now, River Spirit seems to be ready to make a big show, and tonight?s marathon is going to be an ideal chance for him to accomplish this end.

Despite all these factors, the skilled dog will have to be cautious of Momentinnewyork who elegantly earned an OR victory on June 24. That was The 2011 Gain Feeds Corn Cuchulainn 750 Round 1 Heat 4. The Olesen trained white and brindle bitch went on to win the The 2011 Gain Feeds Corn Cuchulainn 750 Semi-final by a neck?s margin.

Thus, the brilliant bitch will fight head-to-head with the dog. This will make the event interesting enough. Let us catch up the charged action.

Disclaimer: The views expressed in this article are the writer's own and do not reflect Bettor.Com?s editorial policy.

Source: http://blogs.bettor.com/River-Spirit-geared-up-to-bag-fourth-straight-success-a191179

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Constraining world trade is unlikely to help the climate

Public release date: 23-Sep-2012
[ | E-mail | Share ]

Contact: Mareike Schodder
press@pik-potsdam.de
49-331-288-2507
Potsdam Institute for Climate Impact Research (PIK)

Instead, researchers were able to pin down a number of factors explaining the pronounced imbalances between emission importers and exporters, the US current account deficit being one of them. Their conclusion: interventions in world trade, like CO2 tariffs, would probably have only a small impact on global emissions.

Steadily growing world trade leads as earlier research has shown to a substantial transfer of CO2 from one country to another. The traded goods effectively contain the greenhouse gas, as it originates from the energy used during their production. "Typically, in the West we import goods whose production causes a lot of greenhouse gas emissions in poorer countries and it is a contested question to which countries these emissions should be attributed," explains Michael Jakob from the Potsdam Institute for Climate Impact Research (PIK), one of the authors. This is a delicate issue, because many Western countries have ambitious targets for emissions reductions. Simply transferring emission-intensive industries to third countries in order to achieve these goals would not serve climate protection and might even damage the economy.

Almost half of the CO2 transfers into the US are caused by the American trade deficit

"For the first time, we have now broken down the known emission transfers into their components," Jakob says. The economic analysis is based on an evaluation of estimates that were determined by other researchers in earlier studies. "We can show that of the CO2 flowing into the US in form of imported goods, almost 50 per cent are due to the American trade deficit alone," Jakob explains. The US emits less CO2 in the production of its exports than is contained in its imports, simply because it imports more than it exports. "And only about 20 per cent of CO2 transfers from China into the US can be traced back to the fact that China is in effect relatively more specialized in the production of dirty goods," Jakob says. But this is the only driver of emission transfers on which the currently controversially discussed climate tariffs could take effect.

Without world trade, the emission of greenhouse gases in countries like China could potentially be even higher than today, according to the study. Western countries often export goods like machines that need a lot of energy in the production process. Usually, this energy stems from comparatively clean production processes. On the other hand, China produces a lot of export goods like toys, whose production needs relatively little energy, but stems from emission-intensive coal power plants. If China with its fossil energy mix had to produce more energy-intensive goods itself instead of importing them, emissions would increase. "In the end, interventions in world trade could do more harm than good," says co-author Robert Marschinski from PIK and Technische Universitt Berlin.

"The crucial question is how clean or how dirty national energy production is in each case"

"Crucial for CO2 transfers is not only world trade, but also the question of how clean or dirty national energy production is in each case," Marschinski emphasizes. To look only at CO2 transfers could be misleading. If for instance the European Union were to adopt new low emission production methods, its net imports of CO2 could increase even though there is no relocation of production.

"To really justify trade-policy interventions like the much discussed CO2 tariffs, further analysis would be needed the observed CO2 transfers alone are not enough as a basis," Marschinski explains. "Such measures cannot replace what it really takes: more international cooperation." Binding global climate targets could give incentives for investors to promote low-emission technologies. Innovations in efficiency could get financial support, and regional emission trading systems could be linked with each other, Marschinski says. "All this could help to achieve climate protection targets in an economically reasonable way."

###

Article: Jakob, M., Marschinski, R. (2012): Interpreting trade-related CO2 emission transfers. Nature Climate Change [DOI: 10.1038/nclimate1630] (Advance Online Publication)

Weblink to the article when it is published on September 23rd: http://dx.doi.org/10.1038/nclimate1630

---

[ | E-mail | Share ]

?

AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.

Public release date: 23-Sep-2012
[ | E-mail | Share ]

Contact: Mareike Schodder
press@pik-potsdam.de
49-331-288-2507
Potsdam Institute for Climate Impact Research (PIK)

Instead, researchers were able to pin down a number of factors explaining the pronounced imbalances between emission importers and exporters, the US current account deficit being one of them. Their conclusion: interventions in world trade, like CO2 tariffs, would probably have only a small impact on global emissions.

Steadily growing world trade leads as earlier research has shown to a substantial transfer of CO2 from one country to another. The traded goods effectively contain the greenhouse gas, as it originates from the energy used during their production. "Typically, in the West we import goods whose production causes a lot of greenhouse gas emissions in poorer countries and it is a contested question to which countries these emissions should be attributed," explains Michael Jakob from the Potsdam Institute for Climate Impact Research (PIK), one of the authors. This is a delicate issue, because many Western countries have ambitious targets for emissions reductions. Simply transferring emission-intensive industries to third countries in order to achieve these goals would not serve climate protection and might even damage the economy.

Almost half of the CO2 transfers into the US are caused by the American trade deficit

"For the first time, we have now broken down the known emission transfers into their components," Jakob says. The economic analysis is based on an evaluation of estimates that were determined by other researchers in earlier studies. "We can show that of the CO2 flowing into the US in form of imported goods, almost 50 per cent are due to the American trade deficit alone," Jakob explains. The US emits less CO2 in the production of its exports than is contained in its imports, simply because it imports more than it exports. "And only about 20 per cent of CO2 transfers from China into the US can be traced back to the fact that China is in effect relatively more specialized in the production of dirty goods," Jakob says. But this is the only driver of emission transfers on which the currently controversially discussed climate tariffs could take effect.

Without world trade, the emission of greenhouse gases in countries like China could potentially be even higher than today, according to the study. Western countries often export goods like machines that need a lot of energy in the production process. Usually, this energy stems from comparatively clean production processes. On the other hand, China produces a lot of export goods like toys, whose production needs relatively little energy, but stems from emission-intensive coal power plants. If China with its fossil energy mix had to produce more energy-intensive goods itself instead of importing them, emissions would increase. "In the end, interventions in world trade could do more harm than good," says co-author Robert Marschinski from PIK and Technische Universitt Berlin.

"The crucial question is how clean or how dirty national energy production is in each case"

"Crucial for CO2 transfers is not only world trade, but also the question of how clean or dirty national energy production is in each case," Marschinski emphasizes. To look only at CO2 transfers could be misleading. If for instance the European Union were to adopt new low emission production methods, its net imports of CO2 could increase even though there is no relocation of production.

"To really justify trade-policy interventions like the much discussed CO2 tariffs, further analysis would be needed the observed CO2 transfers alone are not enough as a basis," Marschinski explains. "Such measures cannot replace what it really takes: more international cooperation." Binding global climate targets could give incentives for investors to promote low-emission technologies. Innovations in efficiency could get financial support, and regional emission trading systems could be linked with each other, Marschinski says. "All this could help to achieve climate protection targets in an economically reasonable way."

###

Article: Jakob, M., Marschinski, R. (2012): Interpreting trade-related CO2 emission transfers. Nature Climate Change [DOI: 10.1038/nclimate1630] (Advance Online Publication)

Weblink to the article when it is published on September 23rd: http://dx.doi.org/10.1038/nclimate1630

---

[ | E-mail | Share ]

?

AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.

Source: http://www.eurekalert.org/pub_releases/2012-09/pifc-cwt092012.php

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'The Master' smashes box-office records

Milla Jovovich, left, and Paul W.S. Anderson attend the US premiere of "Resident Evil: Retribution" at Regal Cinemas L.A. Live on Wednesday, Sept. 12, 2012 in Los Angeles. (Photo by Richard Shotwell/Invision/AP)

Milla Jovovich, left, and Paul W.S. Anderson attend the US premiere of "Resident Evil: Retribution" at Regal Cinemas L.A. Live on Wednesday, Sept. 12, 2012 in Los Angeles. (Photo by Richard Shotwell/Invision/AP)

LOS ANGELES (AP) ? Paul Thomas Anderson's cult drama "The Master" commanded a huge following in its opening weekend, smashing records on just a handful of screens.

The Weinstein Co. release made $729,745 in five theaters in New York and Los Angeles for a record-setting per-screen average of $145,949, according to Sunday studio estimates. The hugely anticipated film, which just won several of the top awards at the Venice Film Festival and will open in more cities in upcoming weeks, stars Philip Seymour Hoffman as a charismatic cult leader and Joaquin Phoenix as his wayward protege.

The No. 1 film at the box office was "Resident Evil: Retribution," which took in an estimated $21.1 million in its debut. This is the fifth film in the Sony Screen Gems action franchise, starring Milla Jovovich.

That topped the 3-D re-release of the Disney Pixar animated favorite "Finding Nemo," which opened in second place with $17.5 million.

The 3-D "Resident Evil: Retribution" was directed by Jovovich's husband, Paul W.S. Anderson, who has made three of the five films. It features the actress once again as the warrior Alice, the last hope for the human race as an evil corporation unleashes a deadly virus that creates more flesh-eating undead on a worldwide scale. And fittingly, the film performed even better internationally, where it made a healthy $50 million.

"You have to give so much credit for that to Milla," said Rory Bruer, Sony's head of distribution. "She's such an incredible star and absolutely just works so hard in every country. Whether it's Russia or Japan, everywhere she's gone, she's worked so hard in regards to making the franchise a success."

The re-do of "Finding Nemo" follows in a recent tradition of Disney converting its classic animated movies into 3-D for a whole new audience. The 2003 underwater comedy about a tiny, lost fish named Nemo, featuring the voices of Albert Brooks, Ellen DeGeneres and Willem Dafoe, won the Academy Award for best animated feature.

Paul Dergarabedian, box-office analyst for Hollywood.com, said the No. 1-opening for the latest "Resident Evil" movie came as a bit of a surprise. He figured "Finding Nemo" would come out on top, given the track record of the Pixar brand and the strong opening a year ago of Disney's "The Lion King" in 3-D, which debuted at No. 1 with $30.1 million.

"The Screen Gems label, they know how to create a profit-making franchise," Dergarabedian said. "It's become so important if you have a star who resonates in the international marketplace ? you can have a real winner worldwide."

Last week's No. 1 movie, the Lionsgate exorcism thriller "The Possession," fell to third place with an estimated $5.8 million. It's now made about $41.2 million over the past three weeks.

Among the other new movies this weekend, "Arbitrage" opened in 12th place in limited release with nearly $2.1 million. Richard Gere stars as a hedge-fund billion juggling scandals that could destroy him personally and professionally.

The huge opening for "The Master" beats the per-screen-average record for a live-action feature debut set earlier this year by Wes Anderson's "Moonrise Kingdom," which made $522,996 when it opened on four screens in May for an average of $130,749.

Asked who the audience was for "The Master," Weinstein Co. president of theatrical distribution Erik Lomis said: "We didn't do exit polls but from eyeballing the ArcLight (Cinemas), everyone in Los Angeles showed up."

Part of the allure was the rare opportunity to see the film projected in lush 70mm, which was possible at four of the five locations where it was playing. Expertly paced trailers released over the past few months revealed nothing, and unannounced screenings in select cities created more buzz. And some of the film's mystique may have come from its parallels to the origins of the secretive Church of Scientology. Anderson has said the church's founder, L. Ron Hubbard, provided inspiration for Hoffman's character.

"We knew we would do a lot of business but we didn't think it would be this big," Lomis said. "We knew from not only the pop-up screenings and the guerrilla marketing PTA does but also from the Venice Film Festival and the Toronto (International) Film Festival that we had something special. But you can never expect these kinds of numbers ? it blew the doors off the theaters."

As Dergarabedian phrased it: "Paul Thomas Anderson, among film buffs and film fans, is a directing god. He's on Mount Rushmore with Christopher Nolan and some other great filmmakers. When he puts out a movie, it's a long lead time ? we're forced to wait for a new Paul Thomas Anderson film. 'There Will Be Blood' was 2007.

"In the independent world, directors are the stars," he added. "They draw people to the theater and fill theaters."

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Where available, latest international numbers are also included. Final domestic figures will be released Monday.

1. "Resident Evil: Retribution," $21.1 million ($50 million international).

2. "Finding Nemo," $17.5 million.

3. "The Possession," $5.8 million.

4. "Lawless," $4.2 million.

5. "ParaNorman," $3 million.

6. "The Expendables 2," $3 million.

7. "The Words," $2.88 million.

8. "The Bourne Legacy," $2.875 million.

9. "The Odd Life of Timothy Green," $2.5 million.

10. "The Campaign," $2.4 million.

___

Online:

http://www.hollywood.com

___

Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by News Corp.; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/386c25518f464186bf7a2ac026580ce7/Article_2012-09-16-Box%20Office/id-4fa2bc3735da448794140fdf3b30e8a8

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'The Master' smashes box-office records

Milla Jovovich, left, and Paul W.S. Anderson attend the US premiere of "Resident Evil: Retribution" at Regal Cinemas L.A. Live on Wednesday, Sept. 12, 2012 in Los Angeles. (Photo by Richard Shotwell/Invision/AP)

Milla Jovovich, left, and Paul W.S. Anderson attend the US premiere of "Resident Evil: Retribution" at Regal Cinemas L.A. Live on Wednesday, Sept. 12, 2012 in Los Angeles. (Photo by Richard Shotwell/Invision/AP)

LOS ANGELES (AP) ? Paul Thomas Anderson's cult drama "The Master" commanded a huge following in its opening weekend, smashing records on just a handful of screens.

The Weinstein Co. release made $729,745 in five theaters in New York and Los Angeles for a record-setting per-screen average of $145,949, according to Sunday studio estimates. The hugely anticipated film, which just won several of the top awards at the Venice Film Festival and will open in more cities in upcoming weeks, stars Philip Seymour Hoffman as a charismatic cult leader and Joaquin Phoenix as his wayward protege.

The No. 1 film at the box office was "Resident Evil: Retribution," which took in an estimated $21.1 million in its debut. This is the fifth film in the Sony Screen Gems action franchise, starring Milla Jovovich.

That topped the 3-D re-release of the Disney Pixar animated favorite "Finding Nemo," which opened in second place with $17.5 million.

The 3-D "Resident Evil: Retribution" was directed by Jovovich's husband, Paul W.S. Anderson, who has made three of the five films. It features the actress once again as the warrior Alice, the last hope for the human race as an evil corporation unleashes a deadly virus that creates more flesh-eating undead on a worldwide scale. And fittingly, the film performed even better internationally, where it made a healthy $50 million.

"You have to give so much credit for that to Milla," said Rory Bruer, Sony's head of distribution. "She's such an incredible star and absolutely just works so hard in every country. Whether it's Russia or Japan, everywhere she's gone, she's worked so hard in regards to making the franchise a success."

The re-do of "Finding Nemo" follows in a recent tradition of Disney converting its classic animated movies into 3-D for a whole new audience. The 2003 underwater comedy about a tiny, lost fish named Nemo, featuring the voices of Albert Brooks, Ellen DeGeneres and Willem Dafoe, won the Academy Award for best animated feature.

Paul Dergarabedian, box-office analyst for Hollywood.com, said the No. 1-opening for the latest "Resident Evil" movie came as a bit of a surprise. He figured "Finding Nemo" would come out on top, given the track record of the Pixar brand and the strong opening a year ago of Disney's "The Lion King" in 3-D, which debuted at No. 1 with $30.1 million.

"The Screen Gems label, they know how to create a profit-making franchise," Dergarabedian said. "It's become so important if you have a star who resonates in the international marketplace ? you can have a real winner worldwide."

Last week's No. 1 movie, the Lionsgate exorcism thriller "The Possession," fell to third place with an estimated $5.8 million. It's now made about $41.2 million over the past three weeks.

Among the other new movies this weekend, "Arbitrage" opened in 12th place in limited release with nearly $2.1 million. Richard Gere stars as a hedge-fund billion juggling scandals that could destroy him personally and professionally.

The huge opening for "The Master" beats the per-screen-average record for a live-action feature debut set earlier this year by Wes Anderson's "Moonrise Kingdom," which made $522,996 when it opened on four screens in May for an average of $130,749.

Asked who the audience was for "The Master," Weinstein Co. president of theatrical distribution Erik Lomis said: "We didn't do exit polls but from eyeballing the ArcLight (Cinemas), everyone in Los Angeles showed up."

Part of the allure was the rare opportunity to see the film projected in lush 70mm, which was possible at four of the five locations where it was playing. Expertly paced trailers released over the past few months revealed nothing, and unannounced screenings in select cities created more buzz. And some of the film's mystique may have come from its parallels to the origins of the secretive Church of Scientology. Anderson has said the church's founder, L. Ron Hubbard, provided inspiration for Hoffman's character.

"We knew we would do a lot of business but we didn't think it would be this big," Lomis said. "We knew from not only the pop-up screenings and the guerrilla marketing PTA does but also from the Venice Film Festival and the Toronto (International) Film Festival that we had something special. But you can never expect these kinds of numbers ? it blew the doors off the theaters."

As Dergarabedian phrased it: "Paul Thomas Anderson, among film buffs and film fans, is a directing god. He's on Mount Rushmore with Christopher Nolan and some other great filmmakers. When he puts out a movie, it's a long lead time ? we're forced to wait for a new Paul Thomas Anderson film. 'There Will Be Blood' was 2007.

"In the independent world, directors are the stars," he added. "They draw people to the theater and fill theaters."

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Where available, latest international numbers are also included. Final domestic figures will be released Monday.

1. "Resident Evil: Retribution," $21.1 million ($50 million international).

2. "Finding Nemo," $17.5 million.

3. "The Possession," $5.8 million.

4. "Lawless," $4.2 million.

5. "ParaNorman," $3 million.

6. "The Expendables 2," $3 million.

7. "The Words," $2.88 million.

8. "The Bourne Legacy," $2.875 million.

9. "The Odd Life of Timothy Green," $2.5 million.

10. "The Campaign," $2.4 million.

___

Online:

http://www.hollywood.com

___

Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by News Corp.; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/386c25518f464186bf7a2ac026580ce7/Article_2012-09-16-Box%20Office/id-4fa2bc3735da448794140fdf3b30e8a8

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